PRATFALLS IN SOUND SPACE: HONG CHULKI & CHOI JOONYONG

February 15, 2013 | Published Articles, Writing

Originally published by Bad at Sports on February, 2013.

By the time I got there, it was standing room only. Everyone crowded around two small tables under minimal but nevertheless theatrical light. We stood this way, waiting for Korean sound muscians Hong Chulki and Choi Joonyong to play their experimental music sets. We stood in the converted ball room of a once-great mansion in Old Town. Of course the mansion is still grand, but instead of providing residence to humans it is the home base for The Graham Foundation — an organization that dates back to 1956. Dedicated to the architecture and its role in the arts, culture, and society, The Graham Foundation offers “project-based grants to individuals and organizations” while producing public programs. I had come to see one of LAMPO’s productions — one of many in an on-going experimental sound series; in order to access the ballroom, however, I had to pass through a stunning exhibit of Soviet Modernist Architecture installed in the rest of the mansion’s first and second floors. The buildings in this series are so strong and immovable in their position against the sky — and would prove to be an excellent foil to the immaterial, unfolding sequence provided by Chulki and Joonyong.

Choi Joonyong and Hong Chulki have been pioneers in Soel’s emerging experimental music scene for the last 15 years. Choi Joonyong started Astronoise — South Korea’s first noise group — with Hong Chulki in 1997. Later in 2000, the pair co-founded an experimental record label, “Balloons and Needles;” they have released a number of records since . Together, this collaborative duo embody a nexus being both community advocates and practitioners who have been called“acoustic explorers” in a “Bermuda Triangle of Sound,” creating “non-conformist, post military service” music. 

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