“There is no more chastity in the Young-Girl than there is debauchery. The Young-Girl simply lives as a stranger to her desires, whose coherence is governed by her market-driven superego.”—Tiqqun, Preliminary Materials for a Theory of a Young-Girl, 2012
Aida Makoto’s retrospective exhibit, “Monument for Nothing,” is a stunning body of work, taking full advantage of its towering exhibition site. The Mori Art Museum sits on the 53rd and 54th floors of Roppongi Hills Mori Tower—a massive skyscraper built in 2003. It is the fifth tallest building in Tokyo. As part of one’s ticket price, visitors have access to a sky deck where the whole city extends beneath your feet. On clear days Mt. Fuji juts up from the horizon, as iconic in person as it is in any woodblock print. It’s a museum in the clouds. What better site for one of Japan’s most controversial and celebrated contemporary artists?